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Jazz Boom Bap feat. Alita Moses
Splice Originals：Jazz Boom Bap 潜入了丰富的管弦乐爵士乐和烟熏俱乐部酷爵士乐的深处，以 J Dilla、DJ Premier 或 Knxwledge 的风格进行了剪辑和重新采样。该包包含猛烈的鼓和循环，是制作爵士冬季节拍的理想工具包。它的主唱由令人惊叹的阿丽塔·摩西 (Alita Moses) 演唱，立式贝斯由帕克·麦卡利斯特 (Parker McAllister) 演奏，鼓由迈克·伯恩鲍姆 (Mike Birnbaum) 演奏，圆号由马特·布洛克 (Matt Block) 和本·韦勒姆 (Ben Wareham) 演奏，小提琴和中提琴由乔什·亨德森 (Josh Henderson) 和威尔·马歇尔 (Will Marshall) 演奏。 期待受吉尔·埃文斯 (Gil Evans) 和安东尼奥·卡洛斯·若比姆 (Antonio Carlos Jobim) 影响的丰富编曲，以及风格多样的和声和节奏，从热带巴西博萨诺瓦 (Bossanova) 到比尔·埃文斯 (Bill Evans) 等西海岸酷爵士乐巨擘。这些声音适合器乐曲目、分层人声或轻松创作酷炫乐谱。
Soul Serum Keys with Harold O’Neal
You could call Harold O’Neal a jazz pianist, sure, but it would be equally accurate to call him a keyboard cryptologist. His talents are the type that clarify while they elude, making the simple seem complex and the complex, simple. His sound reaches you far outside a venue, filtered through layers of drywall, insulation, and brick, no less powerful. A simple melodic progression played by O’Neal might can slap you out of an existential stupor. And once you make out the swagger of his fingers, the delicate dance between rhythm and tone, you need more. Jay-Z, U2, Ski Beats, Bobby Watson, and Boardwalk Empire have all leaned on O’Neal for his particular style of play, and we can see why. For Soul Serum Keys, we wanted something different than your average pack of future-leaning Serum presets, so we invited O’Neal to visit our studio and play some jazz and soul keyboard arrangements with his particular approach. We recorded both his audio and his midi output, capturing the essence of his timing and tac. We turned this performance into unique Serum presets that match the overall vibes of what he played: jazz-infused keys and soul-soaked sounds. In addition to the presets, we’ve included the midi stems and the original audio, chopped into arrangement-ready loops and one-shots.
Jazz Cuts feat. Alita Moses
This pack is the first of a five-part series created over the course of five sessions in New York. Splice Originals: Jazz Cuts was recorded and composed much like an album would be executed. This installment embodies the cool jazz scene of the west coast with an added dose of Gil Evans-style orchestration. Some of the other influences were Bill Evans, Miles Davis, John Coltrane, Flying Lotus, Freddie Hubbard, Stan Getz, Astrud Gilberto, and Antonio Carlos Jobim. We also played homage to those who brought California jazz into another genre, and therefore, another era. You’ll find a heavy dose of J Dilla and Madlib-style boom-bap on the flipped side. The result is a multi-tracked orchestra, chopped and reimagined. It’s smokey jazz meets sweeping strings and horns all set to banging boom-bap beats. These sounds simultaneously evoke the nostalgia of underground clubs from the 1950s and early 2000s, taking us on a true journey through time. In the Jazz Cut sessions, Parker McAllister was on the upright bass, Ben Wareham on saxophones and trumpet, Matt Block on trumpet, Josh Henderson on violin/viola, Mike Birnbaum on drums, and Alita Moses on lead and backup vocals. With a long love of jazz, Moses pulled inspiration from the sounds of her childhood which was filled with the music from every genre from Ella Fitzgerald to Bach, and beyond.
Andreas Klein - Jazz Drums
An essential jazz drum "construction kit", including loops, and one-shots in various styles and tempos with brushes and sticks.Andreas Klein earned a bachelor of music degree from the Conservatory of Amsterdam and his master degree in music at New York University. Andreas Klein has performed on numerous festivals across Europe, such as the North Sea Jazz Festival. He has received several prizes at international jazz competitions, e.g. 1st price at "Amersfoort Jazz Talent Award" and has been awarded with a full scholarship from the DAAD (German Academic Exchange Service) in 2010 and 2011. Andreas has performed drums with Jean-Michel Pilc, Gerard Presencer, John Clayton, Howard Brofsky, Susan Martin Weinert, Christof Thewes, Roland Gebhardt, Jimi Tenor, Jules Buckley, Wayne Krantz, and Joe Lovano.
Brax Stax: Braxton Cook
Braxton Cook's musical influence and influences on music are almost as interchangeable as his gifts. He can summon John Coltrane and Frank Ocean within the same 4-bar phrase, his saxophone, voice, and keys sliding effortlessly between soul and jazz and cosmic R&B. A graduate of Juilliard, Cook's skills on the saxophone and polymath perspective give him an inimitable sound. That sound has garnered him respect from his contemporaries, as well as a spot on a Grammy-nominated record with trumpeter Christian Scott aTunde Adjuah, tours with Tom Misch, collaborations with Mac Ayres, and a feature on NPR's Tiny Desk series. He has his own thing to say the least, and we recorded that thing faithfully. He put his saxophone through the paces, then pulled out a Prophet-8 and a Wulitzer and went wild. The resulting loops and one-shots of sax, synth, voice, and flute have a focus that goes well with in hip hop, neo-soul, R&B, jazz, or cinematic productions.
Intimate Jazz Cuts 2
Arthouse Acoustics returns with Intimate Jazz Cuts 2. Building on the foundation of the original collection, this pack delves deeper into the rich tapestry of vintage jazz and hip hop, offering an even more refined and versatile toolkit for your music production.The team have once again collaborated with top-tier jazz musicians to craft live recordings that resonate with the timeless charm and warmth of 1940s jazz. This volume includes a new array of full-length compositions, alternate takes, stripped-down breakdowns and stems, all meticulously recorded and produced ready to inspire your creative process. Expect personal vocals, sleepy guitar licks, intricate piano melodies, soul-stirring trumpet solos, and resonant double bass lines that provide a solid foundation for your tracks.In addition, this sequel expands on our signature approach to resampled and downsampled loops, offering even more intricately crafted pieces that merge the organically rich sounds of jazz with the dynamic rhythms of hip hop, providing endless possibilities for innovative soundscapes and compositions.The demo features drum sounds from other Arthouse Acoustics packs - also available on Splice.
Sunset Reflections Vol. 2
Sunset Reflections has returned - Dusty sound design, lo-fi hip hop beats, and jazz sourced melodics. Dusty Jazz Beats comes packed with hundreds of expertly recorded and processed loops and one-shots. Inspired by rustic jazz records and bedroom beats, this pack is jammed with a slew of vintage horns, dusty drums beats, laidback guitars for an expansive collection of expertly crafted and curated sounds highlighting the best of jazz, lounge, hip hop, and more.
Intimate Jazz Cuts
Arthouse Acoustics presents Intimate Jazz Cuts. This melodic sample collection brings together the classic pairing of vintage jazz recordings and hip hop chops to provide a sophisticated and timeless toolkit for your music production. With the producer in mind, the pack includes extended-length samples, providing more options and endless possibilities.The Arthouse team worked with some of the finest jazz musicians to write and record live compositions, evoking the unmistakable warmth and personality of 1940’s jazz. Included are the full live compositions with alternate takes, stripped breakdowns and stems straight from the desk, ready to be loaded into your sampler. Expect dusty vocals, nostalgic guitar licks, delicate piano melodies, evocative trumpet solos, and grounding double bass lines.The team also supply of carefully crafted resampled loops that seamlessly blend the organic essence of jazz with the rhythmic sensibilities of hip hop, unlocking further options for your creative endeavors.
Modal Jazz & Hip Hop Return
Deriving from one of our most popular packs, Modal Jazz & Hip Hop has returned! The pack features smooth saxophone samples, lush pianos, sultry guitar and expressive song starters. This pack was inspired by early boom bap samples and artists like McCoy Tyner, John Coltran, Bill Evans and Wayne Shorter. A blend of jazz and hip hop, this pack is sure to inspire any producer who’s looking to remake tracks from hip hop’s most iconic era. This pack was created by the New York duo half.cool, how have previously released Morning Rituals, and the original Modal Jazz & Hip Hop.
Sunset Jazz
Komorebi Audio presents Sunset Jazz, a sample diggers paradise featuring original laid back jazz compositions, stems and one shots for use in your hip hop, trap and electronic music productions.Recorded in West Ham, East London, this sample pack features warm and intimate electric piano recordings, rich and consistent bass, tight and punchy drum loops and saxophone licks that ascend to the heavens.If you’re looking for floaty and ethereal jazz loops to chop, flip and sample for your next hip hop beats this pack has you covered!Keys - Alexander BennettDrums - Adam HayesBass - Luke StennerSaxophone - Gareth LumbersRecording Engineer - Gibbi BettiniMixing Engineer - Skit
Jazz Guitar Hangs with Rotem Sivan
Recorded at the Splice studio in New York City, Jazz Guitar Hangs is a collection of guitar and MIDI melodies and chord progressions composed and performed by Brooklyn-based guitar virtuoso Rotem Sivan. We tracked pristine D’Angelico instruments through Rotem’s personal pedalboard and our analog signal chain. We simultaneously captured the performances as MIDI using Fishman TriplePlay MIDI pickups. Then, we used Serum to design preset patches around each sample. The result is a collection of Rotem’s delicious melodies, tasty basslines, and ear-catching chords, served up in audio, MIDI, and Serum preset formats. Special thanks to Rotem Sivan, D’Angelico, and Fishman for partnering with Splice to create this sample pack.
Shapes: Avant Garde Jazz
Experience the cutting edge of sound with Shapes - Avant Garde Jazz by artist, composer and musician Charles Goold accompanied by a host of some of the best instrumentalists in the NYC jazz scene. Featuring dissonant chord progressions, freeform improvisations, unconventional rhythms, and experimental textures, this collection captures the bold essence of avant-garde jazz. Perfect for producers seeking to push musical boundaries, the pack includes chaotic horn riffs, abstract drum patterns, offbeat piano lines, and atmospheric soundscapes. Ideal for jazz fusion, experimental genres, and creative sound design, these samples provide limitless possibilities for innovation."Avant-garde jazz is a radical, experimental subgenre that emerged in the late 1950s and early 1960s, rooted in the freedom and innovation of bebop and post-bop but pushing the boundaries of conventional jazz structure. It sought to break away from traditional harmonic, rhythmic, and melodic constraints to explore new forms of expression, often through improvisation, unconventional time signatures, and dissonant tonalities.This release pays homage to Ornette Coleman's 1959 album The Shape of Jazz to Come, often cited as a landmark in the subgenre. Coleman abandoned traditional harmonic progression and introduced free-form improvisation. John Coltrane, already known as a hard bop artist, entered the avant-garde movement in the 1960s with albums like A Love Supreme and Ascension, embracing spiritual and experimental sounds. Other notable mentions in this “Free Jazz” era are the likes of legends Cecil Taylor and Sun Raa.Charles Goold is a graduate of The Juilliard School and has become one of New York City’s hardest working musicians. Featured alongside him on this pack is a special assembled band consisting of Mark Lewandowski (Bass), Davis Whitfield (Piano), Ben Soloman (Saxophone), all touting long resumes in New York’s jazz scene. This pack was recorded at The Bunker Studio in Brooklyn NY, a flagship studio in the jazz community with session engineering by Nolan Thies.Whether you're aiming for chaotic improvisation or minimalist abstraction, these avant-garde jazz elements will elevate your production to new artistic heights.
Jazz Melodics & Hooks
Packed with 100+ loops of classy lo-fi melodics, leftfield rhythms, emotive jazz piano loops, Wurli licks, electric piano stabs, warm analogue chords and much more, key-labeled throughout.
Jazz Hop Melodics
Jazz, hip-hop and downtempo fuse with sumptuously smooth and soulful beats in Jazz Hop Melodics. Packed with 101 loops brimming with Latin fusion guitars, smokey keys, emotive jazz piano loops, Wurli licks, electric piano stabs and much more. Key-labeled throughout! As a bonus, included are 101 music one-shots for instant inspiration and creative freedom.
Sapphire
Our newest addition to the library, titled "Sapphire" pays homage to the classic jazz-fusion releases of the 70's. Each loop in this pack pays careful attention to the depth of composition and live feel that any jazz lover is naturally drawn to. Each arrangement is beautifully woven together with a variety of instruments, but mixed and glued together with the slight saturation and compression that creates the textures that inspire us to sample. As always, we use real analog gear and play every instrument in real time.We've included live trumpet, trombone, and fretless bass to provide the realism and soul to these samples that we are known for. In addition to the 10 Melodic Loops, and stems for each Melodic Loop (67 total loops!) included in this pack, we've included 10 drum breaks, and 47 drum one-shots. In the style of 70's jazz, these drums are tuned tight and dry, with just the right amount of snap! In addition to all this, there are 40 guitar one-shots, 29 organ one-shots, 18 piano one-shots, 43 electric piano one-shots, and 2 string one-shots. Sapphire gives you the opportunity, and resources, to create music with high quality sounds, and the classic stamp and sophisticated aura of jazz.
Modal Jazz & Post-Bop
Created by NYC producers half.cool, Modal Jazz & Post Bop is a sample pack dedicated to the era of Ornette Coleman, Don Cherry, and Albert Ayler. The pack includes a wide range of saxophone samples, that demonstrate smooth horn stacks and swells of post-bop lineage, as well as chromatic intervals and harmonies aligned with the school of free jazz. In addition, you’ll find expressive drum loops, erratic and mind-bending guitar, alongside warm, glittering electric piano––all to provide a substantial collection of sounds from the era. This pack was recorded live in Bristol,Tennessee at Classic Recording Studio, with the help of engineer Mike Stephenson. Together the team was able to capture and re-create sounds from the most unique and explorative time in the history of Jazz. In addition to the half.cool team, Modal Jazz & Post Bop features the playing of prominent NYC Jazz musicians Walter Stinson, Drew Vandewinckel, Keenyn Omari, and Juno Arreglado.